Site icon Todd K Marsha

What a Song Can Teach Us About Pardon| National Catholic Register

Julie Ribault (1789-1885), “The Return of the Prodigal Son”

<p><&excl;-- BEGIN THEIA POST SLIDER --><&sol;p>&NewLine;<p> <br &sol;>&NewLine;<&sol;p>&NewLine;<div>&NewLine;<p>While it is &OpenCurlyQuote;hard to ask for forgiveness&comma;’ it is what love demands&period;<&sol;p>&NewLine;<&sol;p><&sol;div>&NewLine;<div>&NewLine;<p>&OpenCurlyDoubleQuote;Je vous demande pardon” means &OpenCurlyDoubleQuote;I ask your forgiveness&period;” It’s the refrain of the song <a href&equals;"https&colon;&sol;&sol;www&period;youtube&period;com&sol;watch&quest;v&equals;IGLDuMttXgw">&OpenCurlyDoubleQuote;Pardon”<&sol;a> &lpar;Forgiveness&rpar; sung &lpar;in French&rpar; by the &OpenCurlyDoubleQuote;Sweet People&period;” &OpenCurlyDoubleQuote;Sweet People” is a group&comma; originally launched in Switzerland by its lead singer&comma; Alain Morisod&comma; to take part in the 1977 Eurovision song contest&period; &OpenCurlyDoubleQuote;Sweet People” is a group that sings mellow pop&comma; frequently love songs&period;<&sol;p>&NewLine;<p>&OpenCurlyDoubleQuote;Pardon” struck me because of its lyrics&period; Love songs often do not inspire deep thought&comma; but &OpenCurlyDoubleQuote;Pardon” does&period; <&sol;p>&NewLine;<p>Consider the first lines of the chorus&colon;<&sol;p>&NewLine;<blockquote><p>It is hard to ask for forgiveness&period;<br &sol;>&NewLine;It is easier to say&comma; &OpenCurlyDoubleQuote;I love you&period;”<&sol;p><&sol;blockquote>&NewLine;<p>English is&comma; in a real sense&comma; an impoverished language&period; One word&comma; &OpenCurlyDoubleQuote;love&comma;” is supposed to cover a multitude of things&comma; from expressing preferences about ice cream to the self-sacrificing benevolence of charity&period; In that sense&comma; Sweet People are right&period; &OpenCurlyDoubleQuote;I love you” can be cheap&period; It can be superficial&period; And it can fail to grapple with anti-love&period; In all those senses&comma; it can be unconvincing&period;<&sol;p>&NewLine;<p>But such evasion comes at a price&comma; one that &OpenCurlyDoubleQuote;Pardon” captures&period; &OpenCurlyDoubleQuote;We take refuge in silence&period; Nothing is really &lbrack;ever&rsqb; over&period;”<&sol;p>&NewLine;<p>Evasion and circumlocution cannot resolve the impediment that remains unspoken but&comma; like the elephant in the middle of the room&comma; we pretend is not there&period; As the song notes&comma; it creates &OpenCurlyDoubleQuote;distance&period;”<&sol;p>&NewLine;<p>But man is made for the good&period; That’s a good thing&comma; but it can be turned into a bad thing&period; When we use that orientation to seek the good&comma; it achieves its goal&period; When we persist in what is not good&comma; that orientation becomes warped&colon; we try to talk ourselves into believing that what is not good <i>is <&sol;i>good&period;<&sol;p>&NewLine;<p>The song picks up that theme&colon;<&sol;p>&NewLine;<blockquote><p>We play a comedy<br &sol;>&NewLine;telling ourselves that &OpenCurlyQuote;this is life’<br &sol;>&NewLine;and everything starts over&comma; like before&period;<&sol;p><&sol;blockquote>&NewLine;<p>In other words&comma; the rut is never escaped&period; We pretend to acquire a taste for the bitter&comma; but even feigning it is bittersweet&period;<&sol;p>&NewLine;<p>The problem is&colon; We know better&period; Instead&comma; like a slow but real leak&comma; &OpenCurlyDoubleQuote;love escapes slowly&period;”<&sol;p>&NewLine;<p>The point of &OpenCurlyDoubleQuote;Pardon” is exactly its refrain&colon; While it is &OpenCurlyDoubleQuote;hard to ask for forgiveness&comma;” it is what love demands&period; And&comma; as the political philosopher J&period; Budziszewski noted in another context about forgiveness&comma; it’s the only coinage capable of paying the piper&period; The problem is we try to pay with counterfeits&period;<&sol;p>&NewLine;<blockquote><p>There is only one coinage of the forgiveness realm&period;<br &sol;>&NewLine;So&comma; on the one hand&comma; as hard as it is&comma; forgiveness must be sought&period;<br &sol;>&NewLine;But then there is the other side of the coin&colon; forgiveness must be given&period;<&sol;p><&sol;blockquote>&NewLine;<p>One can stagnate in a refusal to ask forgiveness&period; But one can also stagnate in a refusal to give it&period; Either way&comma; as the singers note&comma; &OpenCurlyDoubleQuote;We rip ourselves apart — no&comma; we rather destroy ourselves&period;”<&sol;p>&NewLine;<p>History is replete with bad — evil — choices for which forgiveness must be asked&period; But it is also weighed down by a refusal to forgive&comma; as if time can be turned back&period; Not only can it not be&comma; but its future reservoir is being poisoned by a futile effort to relive the past&period;<&sol;p>&NewLine;<p>As Advent is little more than two weeks away&comma; it is worth reflecting on the wisdom in this old pop tune&period; Because — stealing the words of the Marshall Tucker Band — we &OpenCurlyQuote;heard it in a love song’ – and it’s true&comma; even in French&period;<&sol;p>&NewLine;<p><amp-youtube layout&equals;"responsive" width&equals;"1170" height&equals;"878" data-videoid&equals;"IGLDuMttXgw" title&equals;"Pardon"><a placeholder href&equals;"https&colon;&sol;&sol;www&period;youtube&period;com&sol;watch&quest;v&equals;IGLDuMttXgw"><img src&equals;"https&colon;&sol;&sol;i&period;ytimg&period;com&sol;vi&sol;IGLDuMttXgw&sol;hqdefault&period;jpg" layout&equals;"fill" object-fit&equals;"cover" alt&equals;"Pardon"><&sol;a><&sol;amp-youtube><&sol;p>&NewLine;<&sol;p><&sol;div>&NewLine;<p><br &sol;>&NewLine;<br &sol;><a href&equals;"https&colon;&sol;&sol;www&period;ncregister&period;com&sol;blog&sol;grondelski-what-a-song-can-teach-us-about-pardon">Source link <&sol;a><&sol;p>&NewLine;<p><&excl;-- END THEIA POST SLIDER --><&sol;p>&NewLine;

Exit mobile version