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What Lonesome Dove Can Teach Us About the 4 Tensions of Friendship

Two men in Western attire, resembling Gus and Woodrow, stand outdoors in front of leafy green trees, both wearing wide-brimmed hats and bandanas.

<p><&excl;-- BEGIN THEIA POST SLIDER --><&sol;p>&NewLine;<p> <br &sol;>&NewLine;<&sol;p>&NewLine;<div>&NewLine;<p>&OpenCurlyDoubleQuote;Woodrow&comma;” Gus McCrae says&comma; lying in a bed dying&comma; &OpenCurlyDoubleQuote;quite a party&period;”<&sol;p>&NewLine;<p>It’s one of my favorite lines from my favorite novel&comma; <a href&equals;"https&colon;&sol;&sol;amzn&period;to&sol;3VVDxGY"><em>Lonesome Dove&period;<&sol;em><&sol;a><&sol;p>&NewLine;<p>Why&quest;<&sol;p>&NewLine;<p>Because it perfectly captures one of the richest portrayals of male friendship in literature&colon; the friendship of Gus McCrae and Woodrow Call&period;<&sol;p>&NewLine;<p>Like a party&comma; Gus and Woodrow’s friendship is messy&period; It’s uneven and full of tension&comma; punctuated by laughter and the occasional fight&period; And like a party&comma; where you often find yourself shoulder to shoulder with people you didn’t pick to hang out with but have to figure out how to get along with&comma; Gus and Woodrow were thrown together as young men and had to learn how to get on while being polar opposites&period;<&sol;p>&NewLine;<p>To understand why their friendship hits so deep for me &lpar;and other men&rpar;&comma; it helps to look at what communication scholar Bill Rawlins calls the &OpenCurlyDoubleQuote;tensions of friendship&period;” In his book <em><a href&equals;"https&colon;&sol;&sol;amzn&period;to&sol;3KHxvXS">Friendship Matters<&sol;a><&sol;em><em>&comma;<&sol;em> Rawlins describes four opposing forces that exist in every close friendship&period; <a href&equals;"https&colon;&sol;&sol;www&period;artofmanliness&period;com&sol;people&sol;relationships&sol;podcast-567-understanding-the-wonderful-frustrating-dynamic-of-friendship&sol;">I talked to Bill about this on the podcast<&sol;a> several years ago&comma; and it’s one of my favorite conversations&period;<&sol;p>&NewLine;<p>The four tensions of friendship&comma; if not managed appropriately&comma; can destroy the relationship&period; But these same tensions are what give friendship its unique tang&period; And if you look at Gus and Woodrow&comma; you’ll see all four playing out throughout the sweeping story of <em>Lonesome Dove&period;<&sol;em><&sol;p>&NewLine;<h3><strong>Independence and Dependence<&sol;strong><&sol;h3>&NewLine;<p>Unlike family&comma; marriage&comma; and business alliances&comma; friendships are not held together by blood or legal bonds&period; There are no clear cultural expectations or contractual obligations that set its terms&period;  The bond between friends is purely voluntary and made only of will&period; You enter a friendship by choice and can end it by choice&period; That freedom is what makes friendship so rewarding&comma; but also so fragile&period;<&sol;p>&NewLine;<p>In my podcast interview&comma; Rawlins said that friends &OpenCurlyDoubleQuote;gift each other two freedoms”&colon; 1&rpar; the freedom to live their own lives&comma; and 2&rpar; the freedom to depend on each other when needed&period; These two gifts — the gift of independence and dependence — create a tension&period;<&sol;p>&NewLine;<p>Gus and Woodrow’s friendship showcases that tension throughout the novel&period; They’re opposites in nearly everything&period; Woodrow is the stoic — all duty and discipline&semi; Gus is the epicurean — content with a bottle of whisky and a game of cards&period; Each lives his own life on his own terms and mostly lets the other be&period;<&sol;p>&NewLine;<p><em>Mostly&period;<&sol;em><&sol;p>&NewLine;<p>Because they can’t help but meddle with each other&period; Gus ribs Woodrow for being joyless&semi; Woodrow mutters that Gus is lazy&period; They tussle and irritate one another&comma; but they know how far they can push each other&period; When the tension gets too high&comma; they back off and give the other person some space&period; But then they always circle back to one another&comma; because they both know they need each other&period;<&sol;p>&NewLine;<p>That back-and-forth between independence and dependence is the heartbeat of their friendship and that tension is what kickstarts the main plot of <em>Lonesome Dove&period;<&sol;em> Woodrow&comma; bored with life on the Texas-Mexico border&comma; decides to drive a cattle herd from Texas to Montana&period; Gus wants no part of it&semi; he’s happy enough sitting on his porch in Lonesome Dove and watching his pigs&period; Gus could have let Woodrow go off on his own and do his own thing while he stayed behind doing his&period;<&sol;p>&NewLine;<p>But he knows Woodrow can’t do the drive alone&period;<&sol;p>&NewLine;<p>&OpenCurlyDoubleQuote;It’s your show&comma; Call&comma;” he says&period; &OpenCurlyDoubleQuote;Myself&comma; I’m just along to see the country&period;” <&sol;p>&NewLine;<p>Gus gives Woodrow the gift of dependence&period;<&sol;p>&NewLine;<p>While on the trip&comma; Gus serves as Woodrow’s faithful companion&period; But he still does his own thing&period; And Woodrow lets him&period;<&sol;p>&NewLine;<p>Woodrow gives Gus the gift of independence&period;<&sol;p>&NewLine;<p>Good friends go back and forth in offering each other both dynamics — sometimes freedom&comma; and sometimes attachment&period;<&sol;p>&NewLine;<h3>Affection and Instrumentality<&sol;h3>&NewLine;<p>Rawlins notes that friendships hover between affection — caring for someone simply for who they <em>are<&sol;em> — and instrumentality — valuing them for what they can <em>do<&sol;em>&period; Men&comma; he says&comma; often lean toward the instrumental side&period; We bond by doing stuff with each other and for each other&period; We value guys for the concrete things they add to our lives — skills&comma; resources&comma; connections&comma; advice&comma; etc&period;<&sol;p>&NewLine;<p>That tension runs through Gus and Woodrow’s friendship&period; One of the reasons Woodrow puts up with Gus is that he knows Gus is a cool operator&period; He’s proven his grit in their battles with the Comanches as Texas Rangers&period; Gus is useful &period; &period; &period; when he wants to be&period;<&sol;p>&NewLine;<p>Woodrow’s got an undercurrent of affection for Gus as well — even if he just doesn’t have it in him to express it&period; Woodrow instead shows his affection the only way he knows how&colon; through work&period; Woodrow demonstrates his love for his lifelong friend by hauling Gus’s carcass all the way back from Montana to Lonesome Dove&period; Everyone thought it was stupid&period; But Woodrow did it because he loved his friend&period;<&sol;p>&NewLine;<p>Gus leans more towards the affection side&period; He expresses his love to Woodrow through words&period; He teases and provokes Woodrow in an effort to draw his buddy out of his shell&period; When Woodrow refuses to loosen up&comma; Gus keeps talking anyway&period;<&sol;p>&NewLine;<p>Their friendship lives in this tension&period; Woodrow’s practical devotion frustrates Gus&comma; who wants warmth&semi; Gus’s talk frustrates Woodrow&comma; who wants deeds&period; Between the two&comma; affection and instrumentality keep tugging at each other&period;<&sol;p>&NewLine;<h3>Judgment and Acceptance<&sol;h3>&NewLine;<p>Every friend wants to be accepted for who they are&period; But real friendship also involves judgment&period; We choose friends because we admire them&period; When friends fall short of their own ideals&comma; we notice&period; But do we call our friend out and risk a relational rupture&quest; Or do we stay silent in order to maintain the friendship&quest; It’s a fraught tension&period; Rawlins says one of the defining tests of friendship is &OpenCurlyDoubleQuote;the moment when someone risks delivering the judgment that needs to be delivered&period;”<&sol;p>&NewLine;<p>For the most part&comma; Gus and Woodrow accept each other — warts and all&period; But the tension between judgment and acceptance comes to a head when Gus challenges Woodrow for not claiming Newt as his son&period; &OpenCurlyDoubleQuote;Give him your name&comma; and you’ll have a son you can be proud of&period; And Newt will know you’re his pa&period;” But Woodrow can’t do it&period; He’s too restrained by pride and the duty-first code that’s governed his life&period; Gus knows that&comma; but he presses anyway&period; He cares about Woodrow too much to let him off the hook&period;<&sol;p>&NewLine;<p>Gus doesn’t scold to feel superior&period; He does it because he genuinely cares about Woodrow&period; He knows Woodrow’s got more in him than orders and work&comma; and loves Woodrow enough to say so&period;  Woodrow accepts the rebukes because he knows Gus isn’t taking a cheap shot&period; He knows Gus loves him&period;<&sol;p>&NewLine;<p>Real friendship lives in that uneasy space of accepting someone as they are while still asking them to be better&period;<&sol;p>&NewLine;<h3>Expressiveness and Protectiveness<&sol;h3>&NewLine;<p>The last tension of friendship that Rawlins identifies is between expressiveness and protectiveness&period; This is the tension between the desire to share feelings versus the instinct to hold them back&period; Sometimes we don’t share our feelings because there are parts of ourselves we want to keep to ourselves — we want to protect certain aspects of who we are&period; Or we don’t share our feelings because they would poke someone else’s vulnerabilities too acutely — we want to protect them from being hurt&period; Women&comma; generally&comma; lean toward the expressive side&semi; men toward the protective&period; We tend to want to keep more of our inner lives private&period;<&sol;p>&NewLine;<p>Ol’ Gus isn’t afraid to express his feelings to Woodrow&period; It annoys Woodrow how much Gus shares his opinions with him&period; But he lets Gus yammer&period;<&sol;p>&NewLine;<p>Woodrow&comma; the stoic&comma; keeps his feelings close to his chest&period; If he wants to let Gus know how he feels&comma; he’ll show him&period; When Gus lies dying&comma; this difference becomes heartbreakingly clear&period; Woodrow sits by his bed&comma; silent&period; He’s thinking about how stubborn his friend is and how much they’ve quarreled over the years&comma; but also about all the good times they’ve had together&period; But he can’t bring himself to say anything&period; Gus saves him the trouble&colon; &OpenCurlyDoubleQuote;Woodrow&comma; quite a party&period;” That’s it&period; The line sums up decades of friendship&period;<&sol;p>&NewLine;<p>Woodrow’s final act — hauling Gus’s body across a continent to bury him where he wanted — is the ultimate form of protectiveness&period; It’s Woodrow’s way of being able to say &OpenCurlyDoubleQuote;I love you” without having to express his affection in words&period;<&sol;p>&NewLine;<h2 id&equals;"h&period;fdmvt6ju31ti">The Fruitful Tension of Friendship<&sol;h2>&NewLine;<p>The thing that makes friendship special — its freedom — can also make it fraught&period; With no external scaffolding to hold it together&comma; and no set expectations for how it’s supposed to go&comma; tensions inevitably arise&period;<&sol;p>&NewLine;<p>Gus and Woodrow’s friendship reminds us that the tensions in friendship aren’t problems to solve&period; Independence and dependence&comma; affection and instrumentality&comma; judgment and acceptance&comma; expressiveness and protectiveness — these dynamics will always push and pull against each other&period; The trick isn’t to eliminate the tensions but to figure out how to live with them&period; That’s what mature friendship looks like&colon; not a hope for frictionless ease&comma; but a commitment to faithful grappling&period;<&sol;p>&NewLine;<p>If you’ve ever had a friend willing to wade through the hard parts without walking away&comma; you know how rare it is&period; It’s a friendship that lasts because you both keep choosing it again and again&period;<&sol;p>&NewLine;<p>By God&comma; it’s not always easy&period; But it’s quite a party&comma; ain’t it&quest;<&sol;p>&NewLine;<p><em><strong>For more insights on friendship&comma; listen to this episode of the AoM podcast with Bill Rawlins &lpar;<a href&equals;"https&colon;&sol;&sol;www&period;artofmanliness&period;com&sol;living&sol;reading&sol;podcast-824-lonesome-dove-and-lifes-journey-through-uncertainty&sol;">and be sure to check out this episode all about <&sol;a><&sol;strong><&sol;em><strong><a href&equals;"https&colon;&sol;&sol;www&period;artofmanliness&period;com&sol;living&sol;reading&sol;podcast-824-lonesome-dove-and-lifes-journey-through-uncertainty&sol;">Lonesome Dove<&sol;a><&sol;strong><em><strong><a href&equals;"https&colon;&sol;&sol;www&period;artofmanliness&period;com&sol;living&sol;reading&sol;podcast-824-lonesome-dove-and-lifes-journey-through-uncertainty&sol;"> as well&excl;<&sol;a>&rpar;&colon;<&sol;strong><&sol;em><&sol;p>&NewLine;<&sol;div>&NewLine;<p><br &sol;>&NewLine;<br &sol;><a href&equals;"https&colon;&sol;&sol;www&period;artofmanliness&period;com&sol;people&sol;relationships&sol;gus-and-woodrow&sol;">Source link <&sol;a><&sol;p>&NewLine;<p><&excl;-- END THEIA POST SLIDER --><&sol;p>&NewLine;

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